"Study for the figure of Diogenes, in the School of Athens"  One of Raphael's most important work: The School of Athens, wall fresco in the Stanza della Segnatura in the Vatican. Raphael's homage to all important philosophers. Diogenes, sitting on stairs front center of the finished fresco. This sketch is already very close to Raphael's final depiction. Diogenes was advocate of the movement of Cyniicism.  Copper etching by William Young Ottley, executed in sepia color.  London, Long & Ottley, dated 1827  Or
"Study for the figure of Diogenes, in the School of Athens"  One of Raphael's most important work: The School of Athens, wall fresco in the Stanza della Segnatura in the Vatican. Raphael's homage to all important philosophers. Diogenes, sitting on stairs front center of the finished fresco. This sketch is already very close to Raphael's final depiction. Diogenes was advocate of the movement of Cyniicism.  Copper etching by William Young Ottley, executed in sepia color.  London, Long & Ottley, dated 1827  Or
"Study for the figure of Diogenes, in the School of Athens"  One of Raphael's most important work: The School of Athens, wall fresco in the Stanza della Segnatura in the Vatican. Raphael's homage to all important philosophers. Diogenes, sitting on stairs front center of the finished fresco. This sketch is already very close to Raphael's final depiction. Diogenes was advocate of the movement of Cyniicism.  Copper etching by William Young Ottley, executed in sepia color.  London, Long & Ottley, dated 1827  Or

Ancient World, Study for the figure of Diogenes, in the School of Athens, Raphael

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"Study for the figure of Diogenes, in the School of Athens"

One of Raphael's most important work: The School of Athens, wall fresco in the Stanza della Segnatura in the Vatican. Raphael's homage to all important philosophers. Diogenes, sitting on stairs front center of the finished fresco. This sketch is already very close to Raphael's final depiction. Diogenes was advocate of the movement of Cyniicism.

Copper etching by William Young Ottley, executed in sepia color.

London, Long & Ottley, dated 1827

Original antique print 

Watermarks: H. Smith and Date: 1817 (upper and lower paper edge)

Upper and lower margins very wide. In lower margin, and slightly into left corner of image. very light mirrored text print. Minimal traces of age and use in margins.

Image: 25,5 x 29,8 cm (ca. 11.2 x 11.7")

 


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