Set of four Stages of Cruelty, Sadism, Hogarth  William Hogarth was an English artist. In his paintings and drawings he bluntly, brutally and pitiless  pointed out the shortcomings of British society of his time as he saw them. His work was reflecting his style of satire and social critic - very blunt. Hogarth was one of the most significant English artists of his time.  Set of four prints. Copper etchings by Thomas Cook (ca. 1744-1818).  After the drawing by William Hogarth (1697-1764)
Set of four Stages of Cruelty, Sadism, Hogarth  William Hogarth was an English artist. In his paintings and drawings he bluntly, brutally and pitiless  pointed out the shortcomings of British society of his time as he saw them. His work was reflecting his style of satire and social critic - very blunt. Hogarth was one of the most significant English artists of his time.  Set of four prints. Copper etchings by Thomas Cook (ca. 1744-1818).  After the drawing by William Hogarth (1697-1764)
Set of four Stages of Cruelty, Sadism, Hogarth  William Hogarth was an English artist. In his paintings and drawings he bluntly, brutally and pitiless  pointed out the shortcomings of British society of his time as he saw them. His work was reflecting his style of satire and social critic - very blunt. Hogarth was one of the most significant English artists of his time.  Set of four prints. Copper etchings by Thomas Cook (ca. 1744-1818).  After the drawing by William Hogarth (1697-1764)
Set of four Stages of Cruelty, Sadism, Hogarth  William Hogarth was an English artist. In his paintings and drawings he bluntly, brutally and pitiless  pointed out the shortcomings of British society of his time as he saw them. His work was reflecting his style of satire and social critic - very blunt. Hogarth was one of the most significant English artists of his time.  Set of four prints. Copper etchings by Thomas Cook (ca. 1744-1818).  After the drawing by William Hogarth (1697-1764)

Genre, Stages of Cruelty, Sadism, Hogarth

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Set of four Stages of Cruelty, Sadism, Hogarth

William Hogarth was an English artist. In his paintings and drawings he bluntly, brutally and pitiless

pointed out the shortcomings of British society of his time as he saw them. His work was reflecting his style of satire and social critic - very blunt. Hogarth was one of the most significant English artists of his time.

Set of four prints. Copper etchings by Thomas Cook (ca. 1744-1818).

After the drawing by William Hogarth (1697-1764)

The "Cook edition" was a copy of Hogarth's own first edition. Cook engraved Hogarth's entire edition in the years 1795-1803. All four prints of this set are dated 1799. Cook's edition was published in London, 1806

"First Stage of Cruelty" - Cruelty against animals

Text below image:

While various Scenes of sportive Woe

The Infant Race employ

And tortur'd Victims bleeding shew

The Tyrant in the Boy

Behold! A Youth of gentler Heart

To spare the Creature's pain

O' take, he cries - take all my Tart,

But Tears and Tart are vain

Lear from this fair Example - You

Whom savage Sports delight,

How Cruelty disgusts the view

While Pity charms the sight

Plate mark measurements. Image: Ca. 40 x 33 cm (ca. 15.7 x 13")

Sheet: 56 x 43 cm (ca. 22 x 17")

"Second Stage of Cruelty" - Cruelty against animals

Text below image:

The generous Steed in hoary Age

Subdu'd by Labour lies

And mourns a cruel Master's rage

While Nature Strength denies

The tender Lamb o'drove and faint

Amidst expiring Throws;

Bleats forth it's innocent complaint

And dies beneath the Blows.

Inhuman Wretch! say whence proceeds

This coward Cruelty

What Interest springs from barb'rous deeds?

What Joy from Misery

Plate mark measurements. Image: Ca. 40 x 33 cm (ca. 15.7 x 13")

Sheet: 56 x 43 cm (ca. 22 x 17")

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"Cruelty in Perfection" - Cut throat murder of a lady

Text below image:

To lawless Love when once betray'd

Soon Crime to Crime succeeds:

At length beguil'ed to Theft, the Maid

By her Beguiler bleeds

Yet learn, Seducing Man! nor Night

With all its sable Cloud

Can screen the guilty Deed from sight

Foul Murder cries aloud

The gaping Wounds and blood stain'd steel

Now shock his trembling Soul:

But Oh! what Pangs his Breast must feel,

When Death his Knell shall toll.

Plate mark measurements. Image: Ca. 40 x 33 cm (ca. 15.7 x 13")

Sheet: 56 x 43 cm (ca. 22 x 17")

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"The Reward of Cruelty"

Text below image:

Behold the Villain's dire disgrace!

Not Death itself can end

He finds no peaceful Burial-Place,

His breathless Corse, no friend

Torn from the Root, that wicked Tongue,

Which daily swore and cursed!

These Eyeballs from their Sockets wrung,

That glow'd with loveless Lust!

His Heart expos'd to prying Eyes,

To Pity has no Claim;

But, dreadful! from his Bones shall rise,

His Monument of Shame

Plate mark measurements. Image: Ca. 40 x 33 cm (ca. 15.7 x 13")

Sheet: 56 x 38,5 cm (ca. 22.4 x 15.2")

Stage 4: Please note the sheet sieze difference compared with the other three prints of the set!

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Condition: All four prints have ever so slightly general age toning. Minimal traces of age and use in margins. Stage 4: There is a small green ink spot in upper margin, just about an inch away from upper plate mark.

Stage 4: Please note the sheet sieze difference compared with the other three prints of the set!

This set belongs and sells together. 



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